Keep It Moving

What are you working on right now? Anything you care to share? I find it interesting how I always have some sort of project in action. This past week I worked on a short story. It wasn't because I was bored (though that would have been nice because I would have had a lot of time on hand). I worked on a short story because I needed to for school. I was allowed to write a story of no more than 1,000 words and in any genre. Particularly I find it difficult to write stories of no more than 1,000 words. It's not enough words for me. I like the 1,500-2,000 word kind of stories. The ones that stretch into 6-8 pages. With this short story I didn't have much of  a plan. I don't recommend this actually. If you can write from the top of your head and still make sense by ending up at the end with a good punch, go for it. Some of us can't do that and that's okay. It doesn't mean you have less experience or aren't nearly as good. Your mind processes in a very special and unique way. You're the type who needs a plan, a guide and map in order to know where to go. There are many writers out there and all of us are different. No two writers will be the same, even if they are novelists, they will not write the same. We all have our techniques, our strengths and the weaknesses. For me I find it difficult to show, not tell and avoid to be verbs. It's extremely difficult for me to put those verbs away and write in a different text. I'm not sure what your weakness is, but don't focus on the weakness. Concentrate on the strengths and what you can do. I think it's more important to know what you can do instead of paying attention to the areas you lack.

Well back to that short story I worked on. I completed it in two days and funny thing is, it ended up with a different twist than I expected. I had this vision, this plan with this story and kind of knew where I wanted it to end up. On the first day I ended with 500 words and then on the second day that's where my twist came in. All of a sudden I had this desire to cause something terrible happen to my main character. I didn't see that coming from the start but when I started thinking about it I liked it. And sure enough I allowed it to happen. In my opinion I say follow the flow. Writing a plan down or an outline is not a bad idea. In fact, it's probably the wisest and safest thing to do. It keeps you accountable and on track, but if a change arises and you happen to like it, go for it. Don't stop just because you have something different written down, another intention. Sometimes the best stories come from a spur of a moment, an epiphany. Don't block that sensation. My advice: always keep an open mind when writing. You don't know where your characters might take you. Sometimes they decide to do this major turn but it can end up being the best.

So word of advice for the rest of your writing week: KEEP AN OPEN MIND.

And as always, write. Write what comes to mind. Here are a few tips for you to put to practice and remember:

• Where are you going with this?
• Who are the characters?
• Did you establish a hook that pulls your readers? 
• Can your readers relate to your characters/setting/images? 
• How intense and realistic is the conflict? 
• Remember, you're in show business--show, don't tell!
• Are you moved emotionally?--if you're moved, most likely your readers will relate 

Tell me what you're working on this week!

POV--First Person

I said. You said. He said. 

POINT OF VIEW (POV)! Another important element when writing fiction....which one out of the three should you write in? There are four different angles you can write from:

• First Person
• Third Person Limited
• Third Person Omniscient 
• Second Person

Each perspective has its place in fiction/novel writing. The kind of view you choose is entirely up to you. The first three perspectives are relatively common, the last one is the oddball. I haven't read too many books writing in second person, all because it's a whole different world. Recently I read a book written in first person and I was immediately captivated. It felt as if I were walking with the protagonist, experiencing her problems and struggles. After that book I went straight into another book, now told from third person limited--a TOTAL different approach. I'm more used to this kind of writing but once I read the first person story, it was hard to switch over. Because this is a wide topic to discuss, we'll go through each perspective over the course of four weeks. I'm partly doing this because there's a lot to remember and I have a sprained wrist...ha, a sprained wrist and a writer don't match. It's a writer's worst enemy. I feel limited to SO much this week. Okay, I won't complain about my incapability. With each week I'll cover one of the perspectives and then write a brief example. 

First person.

A novel written in first person is written from the account of one person. You'll ride along with this person and go through whatever journey they are faced with. You'll experience what they are experiencing, feel what they feel, react how they react, and relate to similar things. Writing in first person can be exciting but also daring. If the job is done well the reader will feel as if he went right along with your main character. 

Writing from this perspective will teach you the many uses of the pronouns "I" and "we". You'll explore with these pronouns and learn how to build a story around the protagonists life. Every detail must be filtered through the storyteller. First person point of view is the most friendliest all of writing. The reader feels well acquainted with the story and the character, almost feeling like a best friend relationship. There are things the character will tell you the reader but no one else in the story. First person view point is fun to write and explore with. You can create a story of fun, drama, tragedy, horror, mystery, romantic, or imaginary. The moment the story starts the reader will be stuck in the character's mind. For beginner writers this can be a trickier kind of viewpoint because you need to know your character. You need to choose which character will be impacted and tell the story. Once you have that figured out, you'll have to bond with your character in an inseparable way.

Remember to keep your point of view consistent throughout the story. What I mean by this is, you cannot change the viewpoint every single scene. You'll confuse your reader for sure. In first point view the character will do all the talking, you're just writing. Don’t let your first person story turn into simple observation (Show, don’t tell!). The character needs to be involved--to react to events physically and verbally--not just describe the reactions of others. First person creates an intimate perspective. You'll feel connected and if the author does an outstanding job with placing the character on a beach, you might find yourself having to dump the sand out of your pocket once you're back from the beach. Describe the emotions, physical attributes, mental images, and anything else occurring. 

Have fun! Get to know your character first and then get writing. You need to be relaxed when approaching this kind of writing or else your reader will feel the tension through your character. You may discover that first person is not your type of writing and that's okay. Explore, it's the only way you'll figure it out. 

This week's example! I wonder why I'm still awake when I really should be asleep. Why did he have to react that way? Doesn't he know how much I care for him? Doesn't he know that all I want is for him to listen? I wonder if he even thinks of me? I doubt it. Who am I that he would even care? I guess I'll never know. I'll be here, alone and clueless about everything. I don't even understand my thoughts anymore, and my toes are freezing. How I hate winter and being alone! -----> clearly we know that the character is unhappy. 

Very Important..Very Fun

I don't know about you but when I read any kind of novel I flock to the dialogue. It intrigues me to see how the author weaved his words in writing. There are many different ways you can make your characters speak. Since I tend to write contemporary style, my characters speak informally, almost with a slang. Though, it's very interesting how you can mess with your characters in various ways. You have the power to stir them in any direction. With the words that you choose you can make them do anything you want. The bottom line is what you think is the way your characters will move. Perhaps you want them to yell, well make them do just that. Or maybe the story has hit a deep point, a point where tears seem the most appropriate. Make them cry. I know this probably sounds ridiculous, but one of my favorite things to do with my characters is make them cry. It's amazing how you can make them cry without saying it. You don't have to say, "She cried." Instead say, "Tears fell down her cheeks, leaving wet streaks along the way." This is just one example out of many. So, before I get into the meat of this article I think it's important if I note one very, VERY, important rule. You'll hear this rule over and over again and eventually will get tired of it that you may want to shout, "I know!!!!!" but believe me, it's a VERY important rule.

Show, don't tell. 

Easy, right? I mean, there are just three words in that sentence and you know what each of the words mean so what's the big deal? Ha, believe me, this can be the trickiest rule ever. There are so many times where you'll catch yourself saying the action instead of writing the action. You'll captivate the reader's interest more by showing it. If you go on and say, "Brit was mad." Okay, we know he was mad, but how mad? Aha, show, don't tell. Try imaging this. "Brit's eyes narrowed, he clenched his fists and took long and steady breaths." You now know what he did and how he felt. He wasn't only mad, he was profusely angry, upset. Make your characters come to live. This is a fun aspect of writing. You need to have fun with it, don't let it pull you down and literally make you pull your hair out. Explore with this. Get to know your characters. This is an important aspect. You cannot write a story if you don't know your character(s). Know how they feel, what they're thinking, what irritates them, what makes them happy, and what're their fears. Understand your characters in and out. Be interested. If you aren't moved as an author, your reader won't be moved. If you didn't laugh, your reader won't laugh. And if you didn't cry, your reader won't cry. You need to build that connection with your writing.

I know I say this often, but allow your thoughts to spill through your words. If you have an overly emotional character, show it through her words. Describe how she's feeling when she talks. Dialogue is important and it shouldn't be abused. Use every word wisely, making it count.  And I know this is a lot of information to digest, but let me make one more point. Don't be too descriptive. It's so easy to get flowery and into your words that eventually it sounds too wordy. Cut. Chop. Kill the one too many adjectives. Be selective, but most importantly, be creative. Dialogue is fun to write. Write as though you are speaking. Readers like it when you're natural and realistic. Relate to them, you'll gain a wider audience that way.

Dialogue. Speak. Show. Entertain. Don't tell me, show me what happened. Make it exciting, so exciting that I can't stop reading.