The Inner-Clock

I had a very unusual week this past week. I was off of work, well kind of. My job was replaced with being home with my siblings and schooling them. Now, I tell you, that is way harder than any kind of job in the world. It requires patience, diligence, more patience, time, brain work, endurance, and hope that the hours will pass quickly! Ha! Okay, so yes my week was a bit out of the loop, not in the usual routine. My writing session was an hour earlier than normal and believe me, I felt it. The first two days I struggled to get the words down. I would think and think but the words wouldn't come. Finally by the third day I was getting used to it and got in my mode. I know, it sounds so strange and almost picky like I can't think otherwise and HAVE to have that time. To be honest, there's some truth to that. Normally I write from 3:30pm-5:30pm every day. For me that time is set in my mind and I don't get out of it. There was only one time in the past month that I skipped that time and that was when I had to pick my parents up at the airport. Again, it's been a very unusual month and life over here. So yes, I was out of the zone. My fingers were set to the keyboard but nothing happened, I literally stared at a blank page for more than twenty minutes and that never happens to me. 

I recommend keeping a stable time to write. It helps to psych yourself and schedule that daily writing time. It'll become a habit before you know it and then when you do happen to skip time, you'll feel very unproductive, almost lost. It wasn't my fault that I had to switch things up, it just happened to be that my parents needed me to be home while they were out of state. At first I panicked when I couldn't get in the writing muse. I nearly lost my mind and felt very useless and helpless. I didn't know what to do to wake up those creative juices. I stood, twirled around, drank water, shook my head, took deep and long breaths, listened to my favorite music, and read old posts and manuscripts, as well as pieces I'm currently working on. Nothing helped. Finally I decided to just write, no matter how crappy or senseless it sounded, I was going to do it. I did. And what I wrote was surprisingly good. So what was all that about? I was out of zone. It wasn't my usual time and I'm sure if I would have changed all of the clocks to 3:30 I would have been convinced it was time to write. I pressed on though. I realized that I needed to be flexible with my writing, just as with life in general. 

Writing and life go hand in hand. If you cannot be flexible in life and adapt to the changes that swing your way, you will not be able of accomplishing very much when things get messy. Writing is the same. Writing is fun. Writing is a dread. Writing is joyous. Writing stinks. Writing is all of the above and more. I highly recommend setting a routine and writing at that time. I also think it's a great idea to write to a certain amount of words or pages, or time, however you like to count it. I write every day in my current project until I reach 1,000 words. Once I reach that many words I either decide to stop or go on--I always carry on for another 200 or so. It's important to set those goals for your day and reach them. A serious writer will set goals and try to reach them. Set attainable goals, goals that you can see reaching in a day, not a lifetime. I'm always pleased when I reach my word quota for the day. 

So what can you gain from all of this? Be flexible. But set a schedule too. It definitely won't hurt you, but be reasonable. If you train your body to write at a certain time of the day it'll do it. I write every morning and every afternoon. I tried writing in the evening last week and I liked it, not as much as the afternoons, but it definitely wasn't a blooper. Try different times and find your time. Perhaps you're one of those writers who can write anytime of the day, if not, that's okay. Honestly, I'm not. I get confused when I'm not in my chair at the same time each day, but if the change happens, accept it and move on. Just write. That's the only help. 

Write because you cannot stop writing. Write because you love it. Write because it's part of your life. 

Second-Person Perspective

"You don't know much about her, yet you're trying to find out the most possible. Your thoughts run day and night, wondering about her and if you'll ever see her again. But more importantly, you are curious if she thinks of you. You try to leave hints here and there along the way, though you're not sure if it's obvious enough. And last week when that sleeker accompanied her to the dance, you nearly lost it. Your blood boiled, the hair on your back stood  up, you had to control yourself from not..."


This is the most uncommon perspectives from all of the points of view in writing. Second Person. Second person can be so weird to write, very unfamiliar and almost foreign. It not only seems awkward when writing but can often feel weird when reading this perspective. The author is writing to you and you may feel more than a part of the story, you may feel right there with the character. The writer is writing to you, speaking directly to your face and telling you what's going on. There's a connection through second person, though it needs to be done in the right way in order to make sense or be interesting.

If you choose to write in this perspective it's advised to write what you already know about. It always helps to know your topic but it's even more helpful if you can relate to it. In this type of writing the reader has become the main focus. The only pronoun used is "you". You are riding along with the narrator, being your very own character in the story. It's not an easy point of view to tackle, part of the reason why many avoid this kind of perspective is because it takes an adequate amount of time to master. It's not an easy one that you can simply write out. It takes time. It takes thinking. It takes skills. It takes mastery.

But second person can be done so beautifully. It can be creative and experimental. If the author succeeds and does a great job, a wonderful story can take place, allowing the reader to hop along on a journey. The key is to describe how "you" feel, what "you're" going through, what are "your" struggles, and what goes on daily. The author must know you and must know it's audience in order to succeed because if not, then it can topple.

Second person can fail so easily if the author makes a simple mistake and changes a minor aspect about "you". The reader may then feel out of connection and not in sync with the story/character anymore. Become acquainted with the story and what you as the author are trying to display.

The reader BECOMES the protagonist.

This point of view is more common in nonfiction selections, keeping the one personal and relaxed. I have been writing in second person throughout this entire article. It happens to come across more natural. Second person is best used in a limited way, as a prologue, in certain chapters or passages to heighten suspense, or in a short story.

Again, find your voice. Perhaps you want to tackle this perspective and maybe you'll achieve and find enjoyment when doing it. It's one of the hardest aspects about writing because you need to stay consistent. But I promise, if you're mind it made up, do it! 

POV--First Person

I said. You said. He said. 

POINT OF VIEW (POV)! Another important element when writing fiction....which one out of the three should you write in? There are four different angles you can write from:

• First Person
• Third Person Limited
• Third Person Omniscient 
• Second Person

Each perspective has its place in fiction/novel writing. The kind of view you choose is entirely up to you. The first three perspectives are relatively common, the last one is the oddball. I haven't read too many books writing in second person, all because it's a whole different world. Recently I read a book written in first person and I was immediately captivated. It felt as if I were walking with the protagonist, experiencing her problems and struggles. After that book I went straight into another book, now told from third person limited--a TOTAL different approach. I'm more used to this kind of writing but once I read the first person story, it was hard to switch over. Because this is a wide topic to discuss, we'll go through each perspective over the course of four weeks. I'm partly doing this because there's a lot to remember and I have a sprained wrist...ha, a sprained wrist and a writer don't match. It's a writer's worst enemy. I feel limited to SO much this week. Okay, I won't complain about my incapability. With each week I'll cover one of the perspectives and then write a brief example. 

First person.

A novel written in first person is written from the account of one person. You'll ride along with this person and go through whatever journey they are faced with. You'll experience what they are experiencing, feel what they feel, react how they react, and relate to similar things. Writing in first person can be exciting but also daring. If the job is done well the reader will feel as if he went right along with your main character. 

Writing from this perspective will teach you the many uses of the pronouns "I" and "we". You'll explore with these pronouns and learn how to build a story around the protagonists life. Every detail must be filtered through the storyteller. First person point of view is the most friendliest all of writing. The reader feels well acquainted with the story and the character, almost feeling like a best friend relationship. There are things the character will tell you the reader but no one else in the story. First person view point is fun to write and explore with. You can create a story of fun, drama, tragedy, horror, mystery, romantic, or imaginary. The moment the story starts the reader will be stuck in the character's mind. For beginner writers this can be a trickier kind of viewpoint because you need to know your character. You need to choose which character will be impacted and tell the story. Once you have that figured out, you'll have to bond with your character in an inseparable way.

Remember to keep your point of view consistent throughout the story. What I mean by this is, you cannot change the viewpoint every single scene. You'll confuse your reader for sure. In first point view the character will do all the talking, you're just writing. Don’t let your first person story turn into simple observation (Show, don’t tell!). The character needs to be involved--to react to events physically and verbally--not just describe the reactions of others. First person creates an intimate perspective. You'll feel connected and if the author does an outstanding job with placing the character on a beach, you might find yourself having to dump the sand out of your pocket once you're back from the beach. Describe the emotions, physical attributes, mental images, and anything else occurring. 

Have fun! Get to know your character first and then get writing. You need to be relaxed when approaching this kind of writing or else your reader will feel the tension through your character. You may discover that first person is not your type of writing and that's okay. Explore, it's the only way you'll figure it out. 

This week's example! I wonder why I'm still awake when I really should be asleep. Why did he have to react that way? Doesn't he know how much I care for him? Doesn't he know that all I want is for him to listen? I wonder if he even thinks of me? I doubt it. Who am I that he would even care? I guess I'll never know. I'll be here, alone and clueless about everything. I don't even understand my thoughts anymore, and my toes are freezing. How I hate winter and being alone! -----> clearly we know that the character is unhappy. 

Very Important..Very Fun

I don't know about you but when I read any kind of novel I flock to the dialogue. It intrigues me to see how the author weaved his words in writing. There are many different ways you can make your characters speak. Since I tend to write contemporary style, my characters speak informally, almost with a slang. Though, it's very interesting how you can mess with your characters in various ways. You have the power to stir them in any direction. With the words that you choose you can make them do anything you want. The bottom line is what you think is the way your characters will move. Perhaps you want them to yell, well make them do just that. Or maybe the story has hit a deep point, a point where tears seem the most appropriate. Make them cry. I know this probably sounds ridiculous, but one of my favorite things to do with my characters is make them cry. It's amazing how you can make them cry without saying it. You don't have to say, "She cried." Instead say, "Tears fell down her cheeks, leaving wet streaks along the way." This is just one example out of many. So, before I get into the meat of this article I think it's important if I note one very, VERY, important rule. You'll hear this rule over and over again and eventually will get tired of it that you may want to shout, "I know!!!!!" but believe me, it's a VERY important rule.

Show, don't tell. 

Easy, right? I mean, there are just three words in that sentence and you know what each of the words mean so what's the big deal? Ha, believe me, this can be the trickiest rule ever. There are so many times where you'll catch yourself saying the action instead of writing the action. You'll captivate the reader's interest more by showing it. If you go on and say, "Brit was mad." Okay, we know he was mad, but how mad? Aha, show, don't tell. Try imaging this. "Brit's eyes narrowed, he clenched his fists and took long and steady breaths." You now know what he did and how he felt. He wasn't only mad, he was profusely angry, upset. Make your characters come to live. This is a fun aspect of writing. You need to have fun with it, don't let it pull you down and literally make you pull your hair out. Explore with this. Get to know your characters. This is an important aspect. You cannot write a story if you don't know your character(s). Know how they feel, what they're thinking, what irritates them, what makes them happy, and what're their fears. Understand your characters in and out. Be interested. If you aren't moved as an author, your reader won't be moved. If you didn't laugh, your reader won't laugh. And if you didn't cry, your reader won't cry. You need to build that connection with your writing.

I know I say this often, but allow your thoughts to spill through your words. If you have an overly emotional character, show it through her words. Describe how she's feeling when she talks. Dialogue is important and it shouldn't be abused. Use every word wisely, making it count.  And I know this is a lot of information to digest, but let me make one more point. Don't be too descriptive. It's so easy to get flowery and into your words that eventually it sounds too wordy. Cut. Chop. Kill the one too many adjectives. Be selective, but most importantly, be creative. Dialogue is fun to write. Write as though you are speaking. Readers like it when you're natural and realistic. Relate to them, you'll gain a wider audience that way.

Dialogue. Speak. Show. Entertain. Don't tell me, show me what happened. Make it exciting, so exciting that I can't stop reading.