Showing posts with label Write. Show all posts
Showing posts with label Write. Show all posts

Thursday, August 9, 2012

Keep It Moving

What are you working on right now? Anything you care to share? I find it interesting how I always have some sort of project in action. This past week I worked on a short story. It wasn't because I was bored (though that would have been nice because I would have had a lot of time on hand). I worked on a short story because I needed to for school. I was allowed to write a story of no more than 1,000 words and in any genre. Particularly I find it difficult to write stories of no more than 1,000 words. It's not enough words for me. I like the 1,500-2,000 word kind of stories. The ones that stretch into 6-8 pages. With this short story I didn't have much of  a plan. I don't recommend this actually. If you can write from the top of your head and still make sense by ending up at the end with a good punch, go for it. Some of us can't do that and that's okay. It doesn't mean you have less experience or aren't nearly as good. Your mind processes in a very special and unique way. You're the type who needs a plan, a guide and map in order to know where to go. There are many writers out there and all of us are different. No two writers will be the same, even if they are novelists, they will not write the same. We all have our techniques, our strengths and the weaknesses. For me I find it difficult to show, not tell and avoid to be verbs. It's extremely difficult for me to put those verbs away and write in a different text. I'm not sure what your weakness is, but don't focus on the weakness. Concentrate on the strengths and what you can do. I think it's more important to know what you can do instead of paying attention to the areas you lack.

Well back to that short story I worked on. I completed it in two days and funny thing is, it ended up with a different twist than I expected. I had this vision, this plan with this story and kind of knew where I wanted it to end up. On the first day I ended with 500 words and then on the second day that's where my twist came in. All of a sudden I had this desire to cause something terrible happen to my main character. I didn't see that coming from the start but when I started thinking about it I liked it. And sure enough I allowed it to happen. In my opinion I say follow the flow. Writing a plan down or an outline is not a bad idea. In fact, it's probably the wisest and safest thing to do. It keeps you accountable and on track, but if a change arises and you happen to like it, go for it. Don't stop just because you have something different written down, another intention. Sometimes the best stories come from a spur of a moment, an epiphany. Don't block that sensation. My advice: always keep an open mind when writing. You don't know where your characters might take you. Sometimes they decide to do this major turn but it can end up being the best.

So word of advice for the rest of your writing week: KEEP AN OPEN MIND.

And as always, write. Write what comes to mind. Here are a few tips for you to put to practice and remember:


  • Where are you going with this?
  • Who are the characters?
  • Did you establish a hook that pulls your readers? 
  • Can your readers relate to your characters/setting/images? 
  • How intense and realistic is the conflict? 
  • Remember, you're in show business--show, don't tell!
  • Are you moved emotionally?--if you're moved, most likely your readers will relate 

Tell me what you're working on this week!

Thursday, July 19, 2012

Where Are All the Writers?

I have discussed the important elements of writing. What you need to do when the book is done and where to go. Find your market and make sure that publishing house will accept the manuscript to propose. As I mentioned last week, make sure you send your work to the right publishers. You don't want to send a book focused on a romantic theme to a publisher who avoids all sorts of romantic work. Find a publisher who shares your interest of writing and is willing to work with you alongside with your genre. So today I want to talk about writer friends and how important they are.

When I first started writing I was alone. I literally felt like those people in the movies who isolate themselves and create their own life away from society. I was in my room for hours writing. The first novel I tackled kept me occupied because I couldn't get my characters out of my mind. I had to keep the story going because I was curious to know what would happen. I know, it sounds so weird. I am in control of my characters and I set things in their way but oftentimes I don't know what will happen until I write. I start with a plan and then it goes out of the window. Besides that point, I was alone in the writing world. I would go to the library and check out at least ten books at a time and read them. I read on the craft of writing, gaining your writer's voice, writing fiction, the rules of novel writing, and so much more. Many times I would sit in the library reading and taking notes on this craft. I wanted to get the most information possible. But I was still alone. There were nights where I was up until past midnight writing. I would wake up in the morning and still write. Sometimes my mind didn't even shut down. Believe me, I've had plenty of dreams about my characters, it's actually disturbing, especially when something terribly happens to my protagonist. 

Eventually the word got out that I was a writer. People began talking about it and spreading the word that "Vanessa is a writer." Now, I always chuckle when people say that. Some will say it with such enthusiasm whereas others will say it with this query sound in their voice, almost as if I'm not doing anything. I'm sorry, I might be bias on this but being a writer IS NOT easy. You struggle against criticism all the time, a foggy brain, nonexistent characters who want to live but only live in your world, and of course the snide remarks from the outsiders. But somehow we still keep writing. We ignore the critics and know that in the end if we just write for ourselves, it'll still be rewarding. But yes, writer friends. Where are they? Believe me, they are out there and there are plenty of them. And once you find a writer friend, you'll have so much to talk about. I found my writer friends at a conference I went to. I remember one night I was up until past midnight discussing the amazing aspects of writing. There's this special connection with writers. There are many things that are related and the similarities are incredible. You can bounce questions off of each other, ideas, inspirations, complaints of course, and insights. I remember having a two hour conversation with another writer. We talked about our characters as if they were real people. We discussed the setting and even though this writer composes fantasy, talking about her fictionalized world seemed so real. 

I encourage you to find writer friends. Those who understand the many toils you experience with honing the craft of writing. There are many English lovers out there, the ones who find enjoyment and relaxation in writing. You are not alone in what you do. Believe me. You ought to go on a little scavenger hunt and search for them. Look for them just as you looked for your passion in writing. But the importance of having a writer friend is for your benefit. You can go to this person and cry when you're rejected and they will understand. You can ask them questions and hear their opinion. You can be weird with them and talk about your characters and how you can't sleep at night because they are running in your mind. And once you find your writer friend, I encourage you to not let him or her go. Just recently a writer friend asked me to look over her novel. We all need each other. Sharing your writing isn't easy at first, but once you establish that friendship and trust, it'll become easier and easier. We all go through the same things. The insecurity and shyness of presenting our writing. So search. And once who find that strong friend, keep him or her around. You will grow from each other and eventually, it might lead into three, four, five, even ten friends. 

Keep pushing your creative juices this week and go beyond the limit you did last week. 

Thursday, July 12, 2012

Even When It Hurts

The book is done. It's perfect, or at least from what you can see. You spent too many hours to count making it perfect and now that's it done you want to show off the work to others. I met other writers who have clearly stated they don't want their book to get pass their family and close friends. They are just writing for that group and not for the whole world to see. I respect that decision and preference. I find it incredible how many writers will write on hours for end and find it honoring for their families to just read. But then there are the other writers like myself. I write not only for my family to read but for others to learn about my writing and name. I write because I want to be recognized and noticeable in the writing world. When I finished my first novel I hit a rock in the road. I was writing on end and edited without a problem, all until I finished those two steps, then I was stuck. I figured I had to get it published but how and who. I had not the slightest idea about the publishing world and what's required. I bought many books on publishing a book and braced myself for this next endeavoring journey. I mentioned in a past few posts that my book got accepted to a publisher a few weeks ago. Well I shouldn't say accepted. I was asked by an editor if they could have my book proposal. I used every spare moment I had to compose this book proposal and then sent it off with prayer. It took exactly one month for something to come back (though it felt a lot longer). The moment I saw that email in my inbox my fingers couldn't more fast enough and for a long minute I felt sick to my stomach. Sure enough, all of my actions proved true. The book was rejected. They never do say why, though I was tempted to ask what exactly happened. But I reminded myself that they are busy and have a lot of projects to work on. I was thankful they looked at it at least and now I know I need to go back and work on it more. When? That's the problem.

It's not easy being a writer. There are many, many complications and difficulties along the way. Hurdles that seem impossible and sometimes I think if I even have it to be a writer. But then the thought hits me the same way it hit me when I discovered my passion to write. I recently read that if you write more than three sentences in a facebook status, text over 160 characters, and cannot help but write more than three paragraphs in an email, you are a writer. Yes, all of those points fit me. I cannot help but write lengthy and in detail. I want my voice to be heard and this goes all the way to my book and how I want it to get out there. I want my writing to be noticeable. If people were to read my writing and become engaged in the work, I would be pleased. I have imagined myself being a bestselling Author for years now and when that editor first asked to see my book, I was appalled. Of course I was even more appalled but more hurt when it was rejected. It hurt because I thought I had my foot in the door and something could come out of this. But I learned that even if I write just for myself, my family, and friends then that will be enough. I won't write for the fame and money. I write because I love it. When I put my hands to the keyboard each  morning, there's  a powerful emotion that overcomes me. I write and can't stop writing. My hands fly across the keys and punch in letters. I soon realize I have gone over one thousand words and I'm still writing. I know without a shadow of doubt that writing is my niche. It's my desire and I belong to writing just as much as writing belongs to me.

With all that said this isn't much of a post to learn from or gain insight from. Perhaps you can take it as a lesson to never give up even when people give up on you. If you were made for writing then you will have the endurance to stick through with it, even when the stumbling blocks come between and literally flip you over. Study the market. Know which publishers will accept your work and which won't. If you're writing a romantic novel and send it to a publisher who just accepts mystery, well don't be disappointed when they reject you. Be wise in which avenues you pick and someday soon you will receive that book contract to sign and get on with the business. But the most important thing is writing. Because without you writing there would never be a book, a book full of your imagination and ideas! 

Thursday, June 28, 2012

Whatever you do, don't stop!

When I was working on my novel proposal, I nearly lost my mind. My friends didn't know who I was anymore and my family barely saw me. I was as you can say, a *mad case*. I was frantic about it and wanted to make sure it would turn out perfect and to make the editor stunned when reading it and a proposal one would never forget. In other words, I wanted this proposal to be remembered for decades and looked upon as professional, precise, and welcoming. This doesn't mean I decorated the manuscript with various font sizes and boarders. I tried to keep things tight and neatly done. My main focus and concern was to grasp the attention of the editor in the first sentence. Okay, when I first read that I raked my hand through my hair (something I do quite regularly) and sighed long and deep. How was that possible? But even more important, how could I condense my entire novel into one sentence, a sentence so dominant and captivating? That project alone proved to be more challenging than any other aspect of the proposal.

I'm the kind of writer who will write and write and then stop. I tend to not go back and read what I just wrote--that's me. I met an author at a conference and she mentioned how she reads what she wrote yesterday and then will continue to write for today and read today tomorrow. I might have lost you in that last sentence, that's okay. Don't try to understand it. Figure out what kind of writer you are and then write to that style. But back to the book proposal. I was told over and over that composing it isn't that difficult. I don't know what made mine so difficult but it was. It might have been because I pressured myself to write it in three days and then get it edited from a friend who is a writer as well. I don't know and I won't worry thinking about it. Just make sure that proposal is neat, tight, to the point, and intriguing. Editors are busy people. They have a life outside of the office and their job. Many of them have families, probably most actually. You need to respect their time as well. They'll respect you if you respect them. I know, it almost sounds unfair but this is business. You both work together, but they have the better end of the job. So, when you're composing that book proposal or perhaps a book, article, anything you write, make sure it's interesting. The editor needs to be drawn into it from the start. If that's not the case, they will seriously drop your work and move onto something else. It almost seems as if they're not giving you a chance, but they are. They took time to read it but if it didn't catch them immediately, they have no intentions of it getting better. They have busy lives too.


  • Keep it short
  • To the point
  • Neat
  • Interesting!!
Now that we got that figured out, it's time to move onto the wait. I briefly discussed this last week but I would like to dig a bit deeper. Write. Yes, that's the only answer. Keep writing. Write whatever. I don't care, just don't stop. The moment you stop I promise you things will leave your mind, you'll get out of the habit, and you'll soon realize you have let a lot of characters down. Sometimes it's hard to forgive yourself for doing that too. So the key is to keep writing. I finished my novel on a Friday. The following Monday I started another one. I gave myself two days to rest, rethink, and give my fingers a break. Writing kills time and if the book you sent to an editor doesn't turn out as expected, there's always that hope the second one will. But that's another thing--goodness, there's so much. We all know rejections will come, it's a process of life. If that rejection comes from the editor, it's normal to feel despondent and to think the whole world is falling apart. But I encourage you to work on the novel more, tweak it, squeeze it, wash it, dry it, and resell it. Everything needs work, even your writing. I know, our writing often feels like our babies, but believe me, it should be treated like a child too--needing corrections. Revise, edit, revise, edit, and then through it back out there in the publishing world. 


But whatever you do, don't stop writing. Don't stop believing! You can break into a great publishing house.                                         

Wednesday, May 23, 2012

The Inner-Clock

I had a very unusual week this past week. I was off of work, well kind of. My job was replaced with being home with my siblings and schooling them. Now, I tell you, that is way harder than any kind of job in the world. It requires patience, diligence, more patience, time, brain work, endurance, and hope that the hours will pass quickly! Ha! Okay, so yes my week was a bit out of the loop, not in the usual routine. My writing session was an hour earlier than normal and believe me, I felt it. The first two days I struggled to get the words down. I would think and think but the words wouldn't come. Finally by the third day I was getting used to it and got in my mode. I know, it sounds so strange and almost picky like I can't think otherwise and HAVE to have that time. To be honest, there's some truth to that. Normally I write from 3:30pm-5:30pm every day. For me that time is set in my mind and I don't get out of it. There was only one time in the past month that I skipped that time and that was when I had to pick my parents up at the airport. Again, it's been a very unusual month and life over here. So yes, I was out of the zone. My fingers were set to the keyboard but nothing happened, I literally stared at a blank page for more than twenty minutes and that never happens to me. 

I recommend keeping a stable time to write. It helps to psych yourself and schedule that daily writing time. It'll become a habit before you know it and then when you do happen to skip time, you'll feel very unproductive, almost lost. It wasn't my fault that I had to switch things up, it just happened to be that my parents needed me to be home while they were out of state. At first I panicked when I couldn't get in the writing muse. I nearly lost my mind and felt very useless and helpless. I didn't know what to do to wake up those creative juices. I stood, twirled around, drank water, shook my head, took deep and long breaths, listened to my favorite music, and read old posts and manuscripts, as well as pieces I'm currently working on. Nothing helped. Finally I decided to just write, no matter how crappy or senseless it sounded, I was going to do it. I did. And what I wrote was surprisingly good. So what was all that about? I was out of zone. It wasn't my usual time and I'm sure if I would have changed all of the clocks to 3:30 I would have been convinced it was time to write. I pressed on though. I realized that I needed to be flexible with my writing, just as with life in general. 


Writing and life go hand in hand. If you cannot be flexible in life and adapt to the changes that swing your way, you will not be able of accomplishing very much when things get messy. Writing is the same. Writing is fun. Writing is a dread. Writing is joyous. Writing stinks. Writing is all of the above and more. I highly recommend setting a routine and writing at that time. I also think it's a great idea to write to a certain amount of words or pages, or time, however you like to count it. I write every day in my current project until I reach 1,000 words. Once I reach that many words I either decide to stop or go on--I always carry on for another 200 or so. It's important to set those goals for your day and reach them. A serious writer will set goals and try to reach them. Set attainable goals, goals that you can see reaching in a day, not a lifetime. I'm always pleased when I reach my word quota for the day. 

So what can you gain from all of this? Be flexible. But set a schedule too. It definitely won't hurt you, but be reasonable. If you train your body to write at a certain time of the day it'll do it. I write every morning and every afternoon. I tried writing in the evening last week and I liked it, not as much as the afternoons, but it definitely wasn't a blooper. Try different times and find your time. Perhaps you're one of those writers who can write anytime of the day, if not, that's okay. Honestly, I'm not. I get confused when I'm not in my chair at the same time each day, but if the change happens, accept it and move on. Just write. That's the only help. 

Write because you cannot stop writing. Write because you love it. Write because it's part of your life. 

Wednesday, May 16, 2012

Third Person Perspective

To be honest, this is my favorite kind of writing. It's easy and comes naturally--or at least for me. The thing about third person perspective is that you as the writer are the narrator. You get to know ALL of your characters. You're stuck in your character's minds and you decide what to do, not the main character deciding or others deciding for you. If you want to kill someone today, then do it. I tend to just write in this perspective, just because I'm most used to it and find it the most enjoyable. This perspective allows you as the writer to have more freedom in how the story is told. You may decide to change a particular character's thinking a bit, but don't go out and change it drastically. Remember to stay consistent. I believe writing in first person and third person both have their advantages and one, more than the other, will have its place in a story. It depends on what your motive is. What are you trying to say? And will it sound better in the third person perspective?


  • Third Person Limited--narrator only knows the thoughts and feelings of a single character
  • Third Person Omniscient--narrator knows all the thoughts and feelings of all characters 
  • He, she, it, they 

If you want to know all of your characters then choose to write in third person omniscient. If this isn't a concern for you, then write in third person limited. Perhaps it's easier and more natural for you to just know one of your characters in and out. It might be confusing to know all of your characters, perhaps it's too overwhelming--understandable. Don't overwhelm yourself with your writing right away. Writing does get overwhelming the moment you're on a deadline, but if you're writing just for fun, don't stress out about it, have fun. 

Third Person Limited: Janie Smith, she doesn't know a thing about her brother, Johnny. If she only had a single idea what was going through his mind, things might make it easier for them to relate. She wants to know, but he won't open up to her. Ever since papa died, the family died with him. Johnny is cold-heart and broken, the opposite from Janie. She is open, willing to work through the disaster and open a new door. Her papa always told her to work things out, if only Johnny understood. 

Third Person Omniscient: The house was too quiet without Mary and Joe. They were the ones who always brought it to live, even on the rainiest days. A single tear slid down her cheek. Susan peeled her coat off, resting her lazy and tired body on the sofa. If only Mary and Joe were still around. Fall always had a way of tearing people apart, that's what Mary always said anyway. 

Find YOUR aspect of writing. I have covered each perspective so now that you have this down, it's time for you to choose your alley and get writing. If you have been writing for weeks already, congrats. But if you're still waiting for that perfect moment, wake up, the perfect moment never comes. You need to write in order to find it! I'll start a new "mini" series next week. 


Keep writing! 

Wednesday, May 9, 2012

Second-Person Perspective


"You don't know much about her, yet you're trying to find out the most possible. Your thoughts run day and night, wondering about her and if you'll ever see her again. But more importantly, you are curious if she thinks of you. You try to leave hints here and there along the way, though you're not sure if it's obvious enough. And last week when that sleeker accompanied her to the dance, you nearly lost it. Your blood boiled, the hair on your back stood  up, you had to control yourself from not..."


This is the most uncommon perspectives from all of the points of view in writing. Second Person. Second person can be so weird to write, very unfamiliar and almost foreign. It not only seems awkward when writing but can often feel weird when reading this perspective. The author is writing to you and you may feel more than a part of the story, you may feel right there with the character. The writer is writing to you, speaking directly to your face and telling you what's going on. There's a connection through second person, though it needs to be done in the right way in order to make sense or be interesting.

If you choose to write in this perspective it's advised to write what you already know about. It always helps to know your topic but it's even more helpful if you can relate to it. In this type of writing the reader has become the main focus. The only pronoun used is "you". You are riding along with the narrator, being your very own character in the story. It's not an easy point of view to tackle, part of the reason why many avoid this kind of perspective is because it takes an adequate amount of time to master. It's not an easy one that you can simply write out. It takes time. It takes thinking. It takes skills. It takes mastery.

But second person can be done so beautifully. It can be creative and experimental. If the author succeeds and does a great job, a wonderful story can take place, allowing the reader to hop along on a journey. The key is to describe how "you" feel, what "you're" going through, what are "your" struggles, and what goes on daily. The author must know you and must know it's audience in order to succeed because if not, then it can topple.

Second person can fail so easily if the author makes a simple mistake and changes a minor aspect about "you". The reader may then feel out of connection and not in sync with the story/character anymore. Become acquainted with the story and what you as the author are trying to display.

The reader BECOMES the protagonist.

This point of view is more common in nonfiction selections, keeping the one personal and relaxed. I have been writing in second person throughout this entire article. It happens to come across more natural. Second person is best used in a limited way, as a prologue, in certain chapters or passages to heighten suspense, or in a short story.

Again, find your voice. Perhaps you want to tackle this perspective and maybe you'll achieve and find enjoyment when doing it. It's one of the hardest aspects about writing because you need to stay consistent. But I promise, if you're mind it made up, do it! 


Wednesday, May 2, 2012

POV--First Person

I said. You said. He said. 

POINT OF VIEW (POV)! Another important element when writing fiction....which one out of the three should you write in? There are four different angles you can write from:

  • First Person
  • Third Person Limited
  • Third Person Omniscient 
  • Second Person
Each perspective has its place in fiction/novel writing. The kind of view you choose is entirely up to you. The first three perspectives are relatively common, the last one is the oddball. I haven't read too many books writing in second person, all because it's a whole different world. Recently I read a book written in first person and I was immediately captivated. It felt as if I were walking with the protagonist, experiencing her problems and struggles. After that book I went straight into another book, now told from third person limited--a TOTAL different approach. I'm more used to this kind of writing but once I read the first person story, it was hard to switch over. Because this is a wide topic to discuss, we'll go through each perspective over the course of four weeks. I'm partly doing this because there's a lot to remember and I have a sprained wrist...ha, a sprained wrist and a writer don't match. It's a writer's worst enemy. I feel limited to SO much this week. Okay, I won't complain about my incapability. With each week I'll cover one of the perspectives and then write a brief example. 

First person.

A novel written in first person is written from the account of one person. You'll ride along with this person and go through whatever journey they are faced with. You'll experience what they are experiencing, feel what they feel, react how they react, and relate to similar things. Writing in first person can be exciting but also daring. If the job is done well the reader will feel as if he went right along with your main character. 

Writing from this perspective will teach you the many uses of the pronouns "I" and "we". You'll explore with these pronouns and learn how to build a story around the protagonists life. Every detail must be filtered through the storyteller. First person point of view is the most friendliest all of writing. The reader feels well acquainted with the story and the character, almost feeling like a best friend relationship. There are things the character will tell you the reader but no one else in the story. First person view point is fun to write and explore with. You can create a story of fun, drama, tragedy, horror, mystery, romantic, or imaginary. The moment the story starts the reader will be stuck in the character's mind. For beginner writers this can be a trickier kind of viewpoint because you need to know your character. You need to choose which character will be impacted and tell the story. Once you have that figured out, you'll have to bond with your character in an inseparable way.

Remember to keep your point of view consistent throughout the story. What I mean by this is, you cannot change the viewpoint every single scene. You'll confuse your reader for sure. In first point view the character will do all the talking, you're just writing. Don’t let your first person story turn into simple observation (Show, don’t tell!). The character needs to be involved--to react to events physically and verbally--not just describe the reactions of others. First person creates an intimate perspective. You'll feel connected and if the author does an outstanding job with placing the character on a beach, you might find yourself having to dump the sand out of your pocket once you're back from the beach. Describe the emotions, physical attributes, mental images, and anything else occurring. 


Have fun! Get to know your character first and then get writing. You need to be relaxed when approaching this kind of writing or else your reader will feel the tension through your character. You may discover that first person is not your type of writing and that's okay. Explore, it's the only way you'll figure it out. 



This week's example! I wonder why I'm still awake when I really should be asleep. Why did he have to react that way? Doesn't he know how much I care for him? Doesn't he know that all I want is for him to listen? I wonder if he even thinks of me? I doubt it. Who am I that he would even care? I guess I'll never know. I'll be here, alone and clueless about everything. I don't even understand my thoughts anymore, and my toes are freezing. How I hate winter and being alone! -----> clearly we know that the character is unhappy. 

Wednesday, April 18, 2012

Very Important..Very Fun

I don't know about you but when I read any kind of novel I flock to the dialogue. It intrigues me to see how the author weaved his words in writing. There are many different ways you can make your characters speak. Since I tend to write contemporary style, my characters speak informally, almost with a slang. Though, it's very interesting how you can mess with your characters in various ways. You have the power to stir them in any direction. With the words that you choose you can make them do anything you want. The bottom line is what you think is the way your characters will move. Perhaps you want them to yell, well make them do just that. Or maybe the story has hit a deep point, a point where tears seem the most appropriate. Make them cry. I know this probably sounds ridiculous, but one of my favorite things to do with my characters is make them cry. It's amazing how you can make them cry without saying it. You don't have to say, "She cried." Instead say, "Tears fell down her cheeks, leaving wet streaks along the way." This is just one example out of many. So, before I get into the meat of this article I think it's important if I note one very, VERY, important rule. You'll hear this rule over and over again and eventually will get tired of it that you may want to shout, "I know!!!!!" but believe me, it's a VERY important rule.

Show, don't tell. 

Easy, right? I mean, there are just three words in that sentence and you know what each of the words mean so what's the big deal? Ha, believe me, this can be the trickiest rule ever. There are so many times where you'll catch yourself saying the action instead of writing the action. You'll captivate the reader's interest more by showing it. If you go on and say, "Brit was mad." Okay, we know he was mad, but how mad? Aha, show, don't tell. Try imaging this. "Brit's eyes narrowed, he clenched his fists and took long and steady breaths." You now know what he did and how he felt. He wasn't only mad, he was profusely angry, upset. Make your characters come to live. This is a fun aspect of writing. You need to have fun with it, don't let it pull you down and literally make you pull your hair out. Explore with this. Get to know your characters. This is an important aspect. You cannot write a story if you don't know your character(s). Know how they feel, what they're thinking, what irritates them, what makes them happy, and what're their fears. Understand your characters in and out. Be interested. If you aren't moved as an author, your reader won't be moved. If you didn't laugh, your reader won't laugh. And if you didn't cry, your reader won't cry. You need to build that connection with your writing.

I know I say this often, but allow your thoughts to spill through your words. If you have an overly emotional character, show it through her words. Describe how she's feeling when she talks. Dialogue is important and it shouldn't be abused. Use every word wisely, making it count.  And I know this is a lot of information to digest, but let me make one more point. Don't be too descriptive. It's so easy to get flowery and into your words that eventually it sounds too wordy. Cut. Chop. Kill the one too many adjectives. Be selective, but most importantly, be creative. Dialogue is fun to write. Write as though you are speaking. Readers like it when you're natural and realistic. Relate to them, you'll gain a wider audience that way.

Dialogue. Speak. Show. Entertain. Don't tell me, show me what happened. Make it exciting, so exciting that I can't stop reading.

Wednesday, April 11, 2012

The List of Genre is Just Starting!

This week I decided to tackle something entirely different. Over the past few weeks I have discussed the many aspects of the writing life and what it takes and what is doesn't take and how to discover such and such. I hope you have a greater understanding for all of this because this week, I'm going to start opening a different topic. Over the course of weeks, I'll discuss the various genres there are and a bit of insight from each. But to start with, I'll talk about my writing experience (I love sharing my side, especially since it drastically changed overnight.)

Alright, before I picked up the craft of writing, I was against all fiction. I didn't like fiction. I ignored fiction. I shunned fiction. I literally disregarded all books that were fiction related. I thought reading fiction was a waste of time, entirely unnecessary and irrelevant. I didn't find enjoying when reading fictional books, so I clearly decided that fiction wasn't for me. I stuck to the nonfiction books, the one that gave me something, a message. Whenever I would pick up a novel, I would stare at the cover and think, "I wish I could learn to like these kind of books." Because to be honest, the covers on most novels are tempting. There's just something amazing that the author masters. They have a way to capture the buyer with their cover, even if the book itself isn't captivating. I would walk through any bookstore and clock to the fiction section and grab a handful of books just to study the covers, not going beyond that. Okay, so without me even reading the book, I quickly learned that the author did a great job with luring me to the book just by having an awesome cover. 

But what got me to read novels? Well, in the summer of 2010, I just graduated and was tired of reading books about facts and books that took more concentration to grasp the message. I wanted to relax. I wanted to be the kind of person who would curl up with a blanket and read for hours on end, not able of putting the book down. I remember pulling out a book I got from the library for the summer. Again, I stared at the cover and understood why I picked this book. The cover alone was mesmerizing. It was incredible. So what did I do? I opened it, probably just like anyone else would do. I skimmed through the prologue, flipped through the middle, and landed on the last sentence (my mistake always). The last sentence alone got me. It made me curious to read the book and that I did. Well, I'm proud to say that after that I haven't shunned a novel in a long while. There have been nights where I cannot set the book down, I have to force myself to do it. 

After that I started having this niche to write fiction, not just any kind of fiction, contemporary and dramatic fiction. You will soon learn that there are a ton of different subtopics under fiction. I won't go into detail right now, I'll save that for another post. But yes, I took up the task that I hated most. I decided to write fiction and honestly, I can't get enough from it. There is always a character stirring in my mind. Sometimes I leave my characters in an iffy situation. I do this on purpose because I cannot wait until I can get back to my story and fix their dilemma. When I write, the world I live in closes down for awhile. Everything that goes on kind of goes on without me. I'm interacting with my characters. I'm having internal conversations, we are getting to know each other. 

You must be comfortable with your writing. You need to feel right doing it, knowing that this is something you can write/talk about all day. Know the topic you're writing about. Maybe you're into nonfiction, the facts. Or perhaps you like to read articles and would be interested to write for a magazine or newspaper. You don't have to seclude yourself to just one specific type of writing. Be open to anything and everything. Try a bit from here and some from there, but I assure you, there will always be that one kind of writing you'll enjoy more than the other. You're human. We tend to have favorites. 
Different topics lead to different interests 

I love fiction. You might be different. But that's why there are a wide variety of books, because everyone has a different taste and there are those authors who like to tackle the things someone like me wouldn't dare handle. Next week we'll talk about the many aspects of fiction (short story, novel, novella). 

Explore. Experiment. Challenge yourself. Write. 

Wednesday, April 4, 2012

Who Said What?

Have you ever caught yourself reading a book and then saying, "Hey, this sounds just like (fill in the blank)..." or, "Isn't this one of his/her books?" You then flip the book over and your eye glances at the author's name and sure enough you're right. Credit goes to both you and the author. You have practiced distinguishing the words and the author has been stable with his choice of words--diction.

 So what makes someone's work recognizable?


                         Voice.

Voice simply is the style and the way you talk in print. It's the words that you craft that make others say, "Oh yeah, that's so and so."

So how do you become recognizable? Practice. Practice writing different things. Try writing in a humorous way, dramatic, mysterious, romantic, and contemporary/casual. Try various writing techniques. Experiment with your words. Remember, each one of us are different. You talk differently and act differently from everyone else, so your writing too will be different. The worst mistake that you can do is to pretend to be someone else. Don't try to sound like a best selling author. They have their own techniques and styles, you need to compose your own kind of words. Let your thoughts form the words, you have your own unique way to sound, so you too will achieve that recognizable voice. You don't want someone to read your work someday and say, "Hey that doesn't sound like her/him!" It's not only disheartening to you but the original author. Write anything and everything and explore the many options of writing.

How to make your voice YOURS!


  1. Write as much as possible
  2. Write in a journal
  3. Write in a letter format (a letter to a friend perhaps)
  4. Write about your day
  5. Write the things you see and experience daily
  6. Write about the thoughts going through your mind
  7. Don't worry how your words sound, just write
  8. Write like you talk--be yourself
  9. Write what you know
  10. Write about your personality 
The examples above can help stir your voice and make it come alive. The grammar and style will come after, you first need to establish a stable voice. Your writing will shine because of this. It will blossom like a young rose. I find that the most rewarding aspect is that it becomes recognizable. Recently someone told me that they picked up an article I composed. They didn't know that I wrote it at first but by the second sentence, they said, "Yeah, that's Vanessa alright!" For me, that's encouraging. It tells me that finally all of the practice and action I have put into my words not only are alive but they are mine and someone just noticed it. 

Writes tend to worry. Don't worry. I know that sounds like an understatement but there isn't any other explanation. Don't worry what you sound like through your writing, you may not sounds as professional as Bob or as slick as Susie. IT'S YOU. This is your writing and your voice, the one you were born with. Experiment with different writing tools. Try writing long sentences, the ones that flow and go on and on forever and eventually can lose you if you don't stay on track but they are the sentences that still carry a lot of meet. Or write short. To the point. Powerful. 

Remember your goal for writing as well. You're writing because you CAN'T NOT write and you're writing because you have message to share. Think of your writing in this context. You're a proud parent of what you have just written. It's beautiful and it's your own voice and words. Don't let anyone else tear you down with their harsh criticism. You may eventually notice that you'll gain more than one voice. You may sound formal in your historical novel, tacky in the article for New York Times, casual in your short story, or wild in the comic. There are many different voices and once you find them, you'll be amazed. It'll be an experience that's overwhelming but exciting at the same time. You're voices are there, they are waiting for you to open up and crawl out of your shell. 

Come alive and write!

Wednesday, March 21, 2012

"I Refuse to Listen to You!"

So you made yourself some tea, baked some sweets, turned off the phone, and sat down to write. Your fingers swift across the keyboard and the ideas show no sign of stopping. But you stop! You notice mistakes after mistakes and can't possibly overlook them. There are too many for you to go on so you hit that backspace key on the keyboard and delete. Before you notice it, you have deleted more than necessary, all because you were flustered at what you wrote. You feel ridiculous and incompatible to write anything and might even give up. What went wrong? You listened to your inner-critic.

That small voice in your mind is your "inner-critic" he/she told you that what you're writing is worthless and won't get anywhere. That voice is trying to convince you that you can't write and what you just wrote needs to be revised RIGHT NOW. You feel upset, confused, disappointed, and frustrated. You probably thought that what you wrote was perfect, well at least semi-perfect, but then you were torn down with those critical thoughts. But whose thoughts are they and whose words are they?

 None others but yours.

 It is your very own mind that is telling you these things and of course you believe it. Because obviously if you don't listen to yourself you just might make a fool out of yourself, right? It's always better to listen to yourself the first time through than make a fool out of what you just said--maybe? Well don't feel like you're the ONLY one who has done this. Believe me, when it comes to anything that we do, say, or think, we are our very own best critics. We are either too self-centered or insecure about what was just done. Okay, so how does this relate to writing? Easy. We write and our words go public if we share it. But before it even gets there we think, "Wait a second, does that make sense? No. I don't like this either.." So we can be blindfolded and our fingers know exactly where the delete key is. 

It's time that you STOP listening to your inner critic. When you write you need to turn off that small voice in your mind and tell it to come back when you're done. There is a time to rewrite what you just wrote but there is also time to just write and come back later to your work. When you write you should just write. Don't look back at what you just said and don't think how you can fix it. Save that for later. Right now you need to just write and worry later. Your inner critic is strong. It wants you to believe that you can't make it out there in the writing world. If you listen to that stubborn voice you will soon believe it. You have to learn to fight against it and go with what your gut is telling you--YOU CAN WRITE. 

As a writer, or a person in general, you will always feel under pressure and criticism. Criticism comes with living. It comes as a second nature thing for writers. If you cannot block it then I fear that you'll never get anything written down. There is a time to listen to that voice but also a time to say, "Not right now! I have to write." You will not know if your writing is worth it until it's all written out and if you constantly erase how will you ever know? Ignore! And write! 

 Remember that you're writing because you can't not write. You're writing because you have too much to say. You're writing because you want to make a difference. You're writing because you want your voice to be heard. You're writing because you want to see your name out there. And if you listen to those hurtful thoughts about your work, the thoughts that tell you this isn't good enough, you aren't good enough, and nothing you write will be good enough, you will stay in your bubble forever. Because you're not a loser, you are valuable and you can do whatever you set your mind to. Get back up and nip that voice. Kill it and tell it to come back later when everything is done!

And it might just help to know that mistakes will come. You're a human. Did that surprise you? You're not perfect, but you can still refuse to listen to anyone else telling you that what you're doing is senseless--even yourself.